"Therapéia. Polychromie et restauration de la sculpture dans l'antiquité" (Technè vol. 40, 2014, ed. by B. Bourgeois) is now open access!
This richly illustrated volume deals with polychrome sculpture and its conservation in Antiquity. It explores this important yet obscure topic in an interdisciplinary manner, by combining literary, epigraphic and archaeological data with results of in-depth scientific investigation. The love for colour and the care taken in keeping valuable objects in pristine condition, particularly by way of repainting, re-gilding, waxing (ganôsis) is thus demonstrated on objects of various historical contexts: Egyptian wood furniture, Cypriot limestone portraits, ivory sculptures from Macedonian chryselephantine klinai, Greek terracotta figurines, Ptolemaic royal marble head of Berenike II etc. Several of the case-studies deal with objects kept in the Antiquities departments of the Louvre museum.
For open access go to: https://journals.openedition.org/techne/2943
The Call for papers is now OPEN for this special issue, which will collect contributions to the 9th Polychromy Round Table & also invites articles from researchers who may be considering ancient polychromy from the Greco-Roman world & comparative studies from their own interdisciplinary viewpoints, geographical areas & time periods.
For more information, see:
The deadline is 31st December 2021.
The 8th International Round Table, held at the C2RMF in Paris, on 15-16 November 2016, has been published in Technè Journal, vol. 48, 2019.
The printed volume may be purchased online at https://www.lcdpu.fr/revues/techne/ & will be open access from July 2021 at https://journals.openedition.org/techne/
Remembering Ian Jenkins
The news of the death of Ian Jenkins (Curator in the Department of Greece and Rome at the British Museum), who passed away on 28th November 2020, was received by all with great sadness.
Ian will be remembered by so many as a dear colleague, mentor and friend who gave his whole working life to the British Museum in a distinguished career which spanned more than 42 years. He was passionate about the study of polychromy in ancient Greek sculpture and architecture.
The following obituaries for Ian have recently been published:
The Telegraph describes Ian as the British Museum curator who opposed calls to return the Elgin marbles to Greece. https://www.telegraph.co.uk/obituaries/2020/12/07/ian-jenkins-british-museum-curator-opposed-calls-return-elgin/
The Guardian publishes an obituary for Ian Jenkins written by former BM Deputy Director Andrew Burnett. https://www.theguardian.com/artanddesign/2020/dec/15/ian-jenkins-obituary
The Times obituary describes Ian as ‘Curator at the British Museum and revered expert on ancient Greece who staunchly opposed calls to return the Elgin Marbles’. Full obituary here.
The Art Newspaper's is written by Susan Walker who describes Ian as ‘a scholar and British Museum curator who enriched all who met him with his passion for classical Greece’. https://www.theartnewspaper.com/feature/ian-jenkins-british-museum-obituary
ARTnews also published an obituary for Ian writing, ‘Jenkins joined the British Museum in 1978 and wound up shaping how ancient Greek art was presented there. As a classics scholar, he was concerned with how the presentation of such architectural works within the museum’s galleries informed the viewer’s perspective...'. https://www.artnews.com/art-news/news/ian-jenkins-british-museum-curator-dead-1234579601/
Ian Dennis Jenkins, classical scholar and archaeologist, born 18 February 1953; died 28 November 2020.
Ian Jenkins in the garden at the British School at Athens. Photograph: British School at Athens.
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