The International Round Table on Polychromy in Ancient Sculpture and Architecture or the “Polychromy Round Table” is a series of meetings dedicated to the study of the polychromy of ancient sculpture and architecture.
The subject of colour in the ancient world has long fascinated scholars. Within the realm of Classical art, historians stretching back to the late eighteenth century have periodically addressed the topic that sculpture and architectural elements from the Greco-Roman world, and beyond, were originally highly coloured.
Recently, interest in this field has once more been reinvigorated by the advent of new scientific techniques and methodologies, as well as by a community of diverse and interdisciplinary scholars, dedicated to the study of the polychromy of ancient sculpture and architecture.
Since 2009, this growing network of scholars has met on a series of occasions(see Past Meetings), first held annually and, since 2016, biennially.
The meetings have a strong tradition of providing an excellent opportunity for experts from a wide range of fields (archaeologists, architectural historians, scientists, conservators, museum and digital humanities professionals) to discuss new research in a stimulating multidisciplinary setting. Papers from a variety of perspectives are encouraged and cover many aspects of polychromy in ancient sculpture and architecture.
The first meeting of the Polychromy Round Table, held at the Ny Carlsberg Glyptotek in Copenhagen in 2009, was made up of only 11 participants. By comparison, 2020's virtual meeting had more than 300 registrants.
Image © Ny Carlsberg Glyptotek
This website collects the experience of these productive and rich encounters at the Polychromy Round Table, in the form of past programmes, abstracts and published proceedings. It also aims to provide a focal point for this network and research community to share news on its investigations.
In the inclusive spirit of the Polychromy Round Table and its network, this site also aims to reach out to other researchers who may be considering the subject of ancient polychromy from the Greco-Roman world or relevant comparative studies from their own interdisciplinary viewpoints, geographical areas and time periods.
Reminder - Special issue of Heritage on "Polychromy in Ancient Sculpture and Architecture" *FREE OF CHARGE* until 31 August 2021.
This special issue will collect contributions to the 9th Polychromy Round Table but also invites articles from researchers who may be considering ancient polychromy from the Greco-Roman world & comparative studies from their own interdisciplinary viewpoints, geographical areas & time periods.
For more information, see:
All submissions until 31 August 2021 will be published open-access & *FREE OF CHARGE*
For further information or to sign up for the mailing list, please email:
Or fill in your details below:
Joanne Dyer (Website manager) - Colour Scientist, Department of Scientific Research, British Museum, London.
Mark B. Abbe - Associate Professor of Ancient Art, University of Georgia, Athens, Georgia.
Brigitte Bourgeois - Emeritus curator, Centre de recherche et de restauration des musées de France (C2RMF), Paris.
Hariclia Brecoulaki - Senior researcher, Institute of Historical Research, The National Hellenic Research Foundation (EIE), Athens.
Paolo Liverani - Professor for Ancient Topography, Dipartimento SAGAS (Storia, Archeologia, Geografia, Arte e Spettacolo), Università di Firenze, Florence.
Jan Stubbe Østergaard - Emeritus Research Curator, Ny Carlsberg Glyptotek, Copenhagen.
Marie Svoboda - Conservator, Antiquities Conservation, J. Paul Getty Museum, Los Angeles.
Giovanni Verri - Conservation scientist, Art Institute of Chicago, Chicago, Illinois.
Stephan Zink - Researcher, Department of Building Archaeology, German Archaeological Institute, Berlin.
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